Showing posts with label Versace. Show all posts
Showing posts with label Versace. Show all posts

Tuesday, September 28, 2010

VERSACE SPRING 2011 RTW

SUVI KOPONEN

Not for Donatella Versace, the feminine floor-sweepers that are floating up and down Milanese runways this week. "Rigor with sensuality"—that was her focus for Spring. And the focus was absolute: A handful of elements combined to create a statement that was limited but strong.

The models' hair cued a new strictness. Gone the supermodel mane, to be replaced by a tight topknot wrapped by Guido Palau and his team in PVC. Pat McGrath's makeup emphasized a strong brow at the expense of other features.

The look had a my-way-or-the-highway fierceness, but it was subtly realized. There was a kind of fetishistic tug to an outfit like the blue apron dress with the harness back; you felt it, too, in the severe silhouette, whose focus was alternately a pencil skirt that ended just below the knee or a fitted mid-thigh length.

ALLA KOSTROMICHOVA

This looked best in a trim coat-dress, which came in white piqué or black leather for maximum all-styles-served-here effect. As Donatella pointed out, the longer skirt could be paired with a midriff-baring tank or a top scissored into an asymmetric racerback—not so maîtresse after all. The cutouts were carried over to the footwear. The athleticism in such detailing gave the collection an energetic charge.


The strong, clear colors played a role, as well—Mediterranean blue, orange, shades of red, combined in a strong, summery stripe. Donatella also revived the Greek key, the decorative border that is a classic Versace code.

SAMANTHA GRADOVILLE

It was traced in vinyl on a white jacket or combined with the stripes in a collage-y print on a sundress. All of this was played against a white that was as stark as the houses on a sun-bleached Greek island.

JACQUELYN JABLONSKI

Donatella extended that slightly classical notion into cocktail and evening dresses, adding fringe for movement, then weaving and draping it so it looked like something plucked from a Parthenon frieze.

The goddess dress has been a house specialty from the beginning, so here it seemed like a perfectly logical conclusion for a Versace collection that drew its strength from the label's roots.

HAILEY CLAUSON

FREJA BEHA ERICHSEN

KASIA STRUSS

JOAN SMALLS

VLADA RUSLYAKOVA

KINGA RAJZAK

SARA BLOMQVIST

DARIA STROKOUS

DAPHNE GROENEVELD

LINDSEY WIXON

SIGRID AGREN


CAROLINE BRASCH NIELSEN

CARLA GEBHART

KORI RICHARDSON

SUVI KOPONEN

JACQUELYN JABLONSKI

ALLA KOSTROMICHOVA

SIRI TOLLEROD


MIRTE MAAS


HAILEY CLAUSON

VLADA ROSLYAKOVA

FREJA BEHA ERICHSEN

JOAN SMALLS

DAPHNE GROENEVELD

KASIA STRUSS

SAMANTHA GRADDOVILLE


KINGA RAJZAK

CARLA GEBHART

SIGRID AGREN

ALLA KOSTROMICHOVA

LINDSEY WIXON


SUVI KOPONEN


DONATELLA VERSACE


Tuesday, August 24, 2010

VERSACE SPRING 2011 MENSWEAR

The eighties hold a powerful sway over the house of Versace, and Martyn Bal, new man on the company's menswear block, certainly didn't resist their appeal in his debut collection. Inspired by the photos Bruce Weber took of rockabilly boys at the end of that decade and drawing on references from old Versus and Jeans Couture collections, Bal offered up a Stray Cats version of the Versace man.

Thomas Hassler

It was a universe away from where this guy had been heading of late (when Alexandre Plokhov last had some creative input), but Bal said after the show that he anticipated a new, younger customer would see the appeal of his proposals.

William Eustace

These included faux-bib-fronted shirts, a drape jacket with a shawl collar in black leather, jackets and trousers in sheeny tonic fabric, low-slung leather pants with fringes trailing from the side seams, and a big cream overcoat, also bedecked with showgirl fringe. A donkey jacket in red leather looked grown-up by comparison.

RYAN KENNEDY

Bal is an alumnus of Dior Homme, and the new-wave leanings of that label clearly informed his work here, in items like jackets with a cutaway, crossover closing. But the collection's clearest successes—the optical silk shirts, the graphic section of swimsuits and silk robes in a black-and-white Vorticist pattern—were those that were most "Versace."




Marcel Castenmiller

ADRIAN WLODARSKI (I LOVE)

Daniel Lonnstrom



Philipp Bierbaum





William Eustace

Ian O'Brien




Jacob Coupe


Johannes Niermann



Ian O'Brien




JOAN PEDROLA

Jethro Cave


Charlie France



Johannes Niermann

RYAN KENNEDY

MARK COX

Thomas Hassler

ADRIAN WLODARSKI (I LOVE)


Jacob Coupe



Tomek Szczukiecki

RENE




Daniel Lonnstrom


Jethro Cave



Donatella Versace

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